Trained in literature and entrepreneurship, Rainey is the founder of Glasstire, the online magazine of visual art in Texas and the oldest online-only art magazine in the country. In 2019, she stepped down as publisher after over 18 years at the helm.
She is currently editing a book about the Rice Gallery and writing for magazines.
Rainey has spoken or written about arts journalism at Emory University, the USC Annenberg School, the El Paso Museum of Art, the Modern Art Museum of Fort Worth, College Arts Association, the National Endowment for the Arts, and other places. She has also spoken about caregiving at Houston Methodist Hospital. She lives in Houston.
Trained in literature and entrepreneurship, Rainey is the founder of Glasstire, the online magazine of visual art in Texas and the oldest online-only art magazine in the country. In 2019, she stepped down as publisher after over 18 years at the helm.
She is currently editing a book about the Rice Gallery and writing for magazines.
Rainey has spoken or written about arts journalism at Emory University, the USC Annenberg School, the El Paso Museum of Art, the Modern Art Museum of Fort Worth, College Arts Association, the National Endowment for the Arts, and other places. She has also spoken about caregiving at Houston Methodist Hospital. She lives in Houston.
Trained in literature and entrepreneurship, Rainey is the founder of Glasstire, the online magazine of visual art in Texas and the oldest online-only art magazine in the country. In 2019, she stepped down as publisher after over 18 years at the helm.
She is currently editing a book about the Rice Gallery and writing for magazines.
Rainey has spoken or written about arts journalism at Emory University, the USC Annenberg School, the El Paso Museum of Art, the Modern Art Museum of Fort Worth, College Arts Association, the National Endowment for the Arts, and other places. She has also spoken about caregiving at Houston Methodist Hospital. She lives in Houston.
Seen last week in the Cloisters, the extraordinary museum of medieval art in the tippy top of Manhattan, this cobweb on a chandelier:
I’m charmed by the evidence of this tiny squatter. I wonder how many generations of spiders have made their industrious homes among the objects in the Cloisters.
